White Tara Thangka, Master Quality, Buddhist Traditional Painting, Tibetan Style, Three Long Life Deities, Real Gold, Oiled Thangka, Old Stock
This White Tara is our old stock collection, Experience the captivating allure of the "Timeless Splendor" thangka painting, a rare and extraordinary masterpiece that embodies the essence of ancient artistic traditions. Created approximately 15 to 20 years ago, this painting showcases the meticulous artistry and devotion of a single artist, who skillfully prepared the canvas and brought the artwork to life.
The age of this painting adds to its rarity and significance. With its creation dating back 15 to 20 years, it carries the legacy of traditional artistic techniques. Once this collection is sold, no more paintings of its kind will be produced, making it an extraordinary find for art enthusiasts and collectors.
What sets this thangka painting apart is the genuine and thick layers of gold meticulously applied by the artist. The result is a resplendent and opulent appearance that captivates the viewer's gaze. Unlike contemporary practices where different artists handle different aspects of the painting, this unique artwork is a testament to the singular vision and talent of one artist, ensuring a harmonious and unified composition. Read More . . .
The White Tara Thangka, featuring an oiled antique finish, is a remarkable and captivating work of art. This thangka has undergone a finishing process that involves the application of a special varnish, resulting in an antique appearance. The intention is to create the impression that the painting has been graced by the presence of butter lamps over an extensive period. Read More . . .
The set of Three Long-Life Deities consists of three healing and long-life deities: White Tara, Amitayus (Aparmita), and Ushnishavijaya (Namgyalma). The combined practice of these three deities offers a comprehensive approach to promoting longevity, well-being, and spiritual growth. By invoking their blessings collectively, practitioners aim to cultivate physical health, mental clarity, spiritual vitality, and the ability to navigate life's challenges. The prayers, mantras, and visualizations associated with these deities serve as powerful tools for developing inner qualities, purifying negativities, and fostering a positive and harmonious existence. Ultimately, the practice of the Three Long-Life Deities aims to support practitioners in leading long, healthy, and meaningful lives dedicated to the path of awakening. Read More . . .
This thangka of White Tara has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk. Read More . . .
Her left hand is gracefully lowered in an empty open palm boon granting gesture [Skt. Varada Mudra]. White Tara has a blooming pink lotus & an unopened bud on either side of her body. The lotus in the painting is stylised as a peony & a chrysanthemum to provide artistic contrast with her lotus throne. The open blossom represents the present and the bud represents the future situations & Buddhas yet to be born. The future also refers to beneficial changes circumstances that she will help bring about. Her right hand wisdom hand is in the gesture of giving refuge [Skt. Sharanagamana]. The word refuge refers to the teaching of compassionate understanding which she imparts. The third finger touches the thumb to create a circle representing the union of wisdom and compassion, and the three extended fingers symbolise the Three Jewels of Buddhism A. The Buddha State B. The Body of teachings [Skt. Sangha] C. The Principles of the Universal form [Skt. Dharma]. The same hand holds the stem of a blue lotus [Skt. Utpala] representing change. The lower part of the stem below the bend represents the root of the lotus in the mud. The allegory of the Lotus refers to the something that grows from the obscurity of the mud & which eventually bursts open in the light. The lotus journey is one of inner awakening & enlightenment analogous to the human spirit. Buddhism shows us how to grow towards the light with profound teachings which help us to navigate away from burdens and sufferings which we may have by being materially minded, bitter & confused.
There is a lotus on her diadem bearing the Wish Granting Gem [Skt. Chintamani] surrounded by an aureole of fire symbolising auspicious blessings. The extra eye on her forehead, on the palms of her hands & soles of her feet represent her ability to see and understand the sufferings of all beings & her omniscient compassion toward the suffering. Avalokiteshvara [Tib. Chengresi] her progenitor also has a white body & extra eyes. The eyes denote psychic & supernatural power. The rainbow coloured leggings represent a mastery of Boddhi Nature [Skt. Siddhi] & a manifestation of the Sambhogakaya. The dark blue layer of clothing signifies Mantrayana practice. She is upon a white moon disk & has an orange sun aureole to representing her emanation their melting point [Skt. Nada]. There is a branch of an Ashoka Tree in the foreground. The word Ashoka means 'without sorrow' in other words she has no regrets about her behaviour. The tree linked to the Vedic God of love & sexual union Kamadeva which blossoms when a virtuous lady touches it. The triangular diamond rock formation in the foreground represents the Source of Reality [Skt. Dharmadaya] out of which deities arise & which is generated from emptiness by the seed syllable E. In the Indian language is a Triangular shaped letter D & so expressed in the triangular rock formations.
Mantra of White Tara
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