Tibetan Statue of Rahula, Chocolate Oxidized
This Rahula has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the Rahula. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.
The Rahula has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .
His top right hand brandishes a Makara Banner [Skt. Makaradhwoja] made from the flayed skin & head of a Makara. In Buddhism, a dhwoja symbolises a victory or supremacy of some kind. A Makara is a water dragon formed by the combination of several animals including the trunk of an elephant, scales of a fish, a crocodileâs mouth, the tusks of a boar and the tail feathers of a peacock. The Makhara Banner symbolises Buddhas victory over the four Maras & his immolation of the Five Afflicting Poisons. His lower right hand draws a Naga Bow [Skt. Nagadanusa] ready to shoot an arrow [Skt. Bana] into the heart of anyone who threatens the Buddhist teachings. The bow & arrow combination also represent the important âwisdom and methodâ teaching which should be used in tandem to ascend to the state of Great Bliss . The human skin is draped over his back represents his destruction of delusion, held to be the chief negative affliction. Ignorance is very much a part of the idea of delusion.
His top right hand is in threatening tarjani hand position & holds a coiled viridian serpent noose which represents the âbinding of ignoranceâ & its inherent poison. Nagas are guardians of the underworld and Buddhist teachings who control the element water & can hold back rain & cause droughts. They can be wrathful too sending disease through the rivers and streams is they are not respected. This is also a warning against ignorance and her ability obscure the truth of the Dharma and salvation from the Wheel of Cyclical Existence.
In ancient Indian text, Rahu [Rahula] was a titan who disguised himself to steal the nectar of immortality from the gods. The sun and the moon both exposed him to Vishnu who promptly cut off his head. It is believed that Rahu avenges himself by periodically swallowing up the sun and the moon, thus causing eclipses. He is hence known as the Lord of Eclipses. There are both solar eclipses involving the sun & more common lunar eclipses involving the moon. Rahulaâs myriad eyes are often compared to the starry night sky. The gaping mouth in his belly symbolizes his swallowing of the sun and the moon.
Mantra of Rahula
Saha Ghahula Samaya Hum !
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