Sukha Siddhi | Akash Yogini, Buddhist Handmade Statue, Full Gold Plated, Antique Finishing
Bidjeswori
The Akash Yogini has full gold plated antique finishing. This finishing is a combination of fire mercury gold plating and antique finishing. This traditional technique involves the application of a genuine layer of gold onto the Akash Yogini using the time-honored process of mercury gold plating. Skilled artisans meticulously handle the amalgamation of gold with mercury, ensuring precise application and a truly authentic result. To enhance its charm further, the Akash Yogini undergoes an antique finishing process. This meticulous treatment adds a touch of age and character to the gold plating, creating a sense of antiquity. Through careful craftsmanship and the application of specialized techniques, the Akash Yogini acquires a beautifully aged appearance that adds depth and uniqueness to its overall aesthetic. Read More . . .
This Vajrayogini of Akash Yogini is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Vajrayogini.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
In the Newar Buddhist tradition the four aspects of Vajrayogini appear as the four âHeart Yoginisâ that form the inner circle of Great Bliss of the Chakrasamvara and Vajravarahi mandalas. These are:
(1) Vajrayogini as Naropaâs Dakini or Naro Khandroma, whose temple is located at Shanku.
(2) Vajravarahi as Indrabhutiâs Dakini, or Indra Yogini, whose temple is located at Guhyeshvari.
(3) The âRaised Footâ form of Vajrayogini, whose temple is located at Pharphing.
(4) Vajrayogini as Akash Yogini or Vidyadhari, whose temple is located at Bijeshwori.
Vidyadhari Vajrayogini is beautiful, playful and lusty, and youthful like a sixteen-year-old. She is the colour of a red hibiscus flower, with three lotus-like eyes, and an expression that combines the sentiments of passion and slight wrath. She is shown leaping into space in the flying posture of a sky-going dakini, with her right leg bent back at the knee, and her right leg extended in âraised footâ (Skt. urdhvapada) posture and held in the crook of her left arm, such that her thighs are fully splayed. Her nubile body is perfect in proportion, with a narrow waist, and firm round breast with aroused nipples.
Her long tresses of black hair flow freely behind her back, and her head is adorned with a golden crown of five jewel-topped and carved white skulls, with loops of bone beads hanging beneath below each little skull. She wears the golden ornaments of jeweled earrings, a heavy neck choker decorated with the serpent-devouring head of a garuda, wide Newar bracelets, armlets, anklets, and finger rings. A golden breast ornament loops around her chest, with small coins hanging from its upper thread, little round bells from its lower thread, with a small endless knot and reliquary box (Tib. gau) joining the threads together between her breasts. From her golden belt hang the sixty-four filigree beaded strands of her bone apron, the joined loops of which are embellished with pendant-emblems of auspicious symbols and swans, with the large pendant near her right knee displaying a small carved image of the goddess Vidyadhari herself. An embellished Newar medallion on a long silver chain swings out behind her neck, and around her shoulders she wears a long garland of dry white skulls that are described as being fifty in number.
Vidyadhari's face is inclined upward to her left as she drinks a stream of fresh blood from the tilted skull-cup she holds in her left hand. Her drinking of blood symbolizes that she is consumed with great bliss, and her inclined posture of flying towards the left represents the importance placed upon 'left-hand rituals' within the yogini or mother-tantra traditions. With her lowered right hand she circles a vajra-handled curved knife towards the ten directions, with her index finger raised in the threatening tarjani gesture, symbolizing that she terrorizes all obstructive demons. Across her left shoulder she carries the golden staff of her tantric-staff or khatvanga, which is equal in height to her own body and represents her male consort, Chakrasamvara. The top of her khatvanga is sealed with a golden crossed-vajra and a nectar vase, the impaled blue head of Bhairava, a freshly severed head, a dry white skull, and a crowning half-vajra. A billowing silk ribbon, and a damaru and bell hang from a chain near the top of the khatvanga's shaft.
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Service of Filling and blessing in Statue | Videos of statue Making Process | Making Process Of Metal Statues | Gold Plating in Statues | Altering Finishing in StatueAt Handmade Statue, we aim to provide a seamless and user-friendly experience. While our website is not a direct online shopping platform, we have a shopping cart system to make submitting your inquiries easy. Follow these steps to place your order:
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