Singing Bowl, Buddhist Hand Beaten, with Fine Etching Carving, Padmasambhava, Select Accessories

Iconography
The khatvanga, a danda with three severed heads denoting the three kayas (the three bodies of a Buddha: the dharmakaya, sambhogakaya, and nirmanakaya), crowned by a trishula and dressed with a sash of the Himalayan Rainbow or Five Pure Lights of the Mahabhuta is a particular divine attribute of Padmasambhava and intrinsic to his iconographic representation.
His two eyes are wide open in a piercing gaze. On his body he wears a white vajra undergarment and, on top of this, in layers, a red robe, a dark blue mantrayana tunic, a red monastic shawl decorated with a golden flower pattern, and a maroon cloak of silk brocade. He has one face and two hands.
In his right hand, he holds a five-pronged vajra at his heart; and in his left, which rests in the gesture of equanimity, he holds a skull-cup in the centre of which is a vase of longevity filled with the nectar of deathless wisdom. Cradled in his left arm is a three-pointed khatvanga representing the consort Mandarava. On his head, he wears a five-petalled lotus hat. Wrathful and smiling, he blazes magnificently with the splendour of the major and minor marks. He is seated with his two feet in the royal posture.

Life Story
According to tradition, Padmasambhava was incarnated as an eight-year-old child appearing in a lotus blossom floating in Lake Dhanakosha, in the kingdom of Oḍḍiyāna, traditionally identified with the Swat Valley of South Asia in present-day Pakistan. His special nature was recognized by the childless local king of Oḍḍiyāna and was chosen to take over the kingdom but he left Oḍḍiyāna for Northern parts of India. In Rewalsar, known as Tso Pema in Tibetan, he secretly taught tantric teachings to Mandarava who was the local king's daughter. The king found out and tried to burn him but it is believed when the smoke cleared he was intact and in meditation. The king offered Padmasambhava his kingdom and Mandarava. He left with Mandarava and later in Maratika cave in Nepal, after practicing secret tantric consort rituals, Amitayus appeared and they both achieved immortal bodies in the form of the living rainbow body of the Great Transference which is completely different and much rarer than a dead body dissolving into light or the more usual rainbow body of a living yet mortal human as sometimes still achieved by Dzogchen practitioners of Padmasambhava's terma. So both Padmasambhava and Mandarava are still believed to be alive and active in Phowa Chenpo form by their followers. She and Padmasambhava's other main consort, Yeshe Tsogyal who was responsible for hiding his numerous terma later in Tibet became fully enlightened. Many thangkas and paintings show Padmasambhava in between them.

His fame became known to Trisong Detsen, the 38th king of the Yarlung dynasty, and the first Emperor of Tibet (742–797), whose kingdom was beset by evil mountain deities. The king invited Padmasambhava to Tibet where he used his tantric powers to subdue the evil deities he encountered along the way, eventually receiving the Emperor's wife, identified with the dakini Yeshe Tsogyal, as a consort. This was in accordance with the tantric principle of not eliminating negative forces but redirecting them to fuel the journey toward spiritual awakening. In Tibet he founded the first monastery in the country, Samye Gompa, initiated the first monks, and introduced the people to the practice of Tantric Buddhism.

Padmasambhava had five major female tantric companions, the so-called 'Five Wisdom Dakinis' (Wylie: Ye-shes mKha-'gro lnga) or 'Five Consorts.' In Padmasambhava's biography - they are described as the five women "who had access to the master's heart", and practiced tantric rites which are considered to have exorcised the previous demons of Tibet and converted them into protectors of the country.' They were: Mandarava of Zahor - the emanation of Vajravarahi's Body; Belwong Kalasiddhi of (North-West) India - the emanation of Vajravarahi's Quality, Belmo Sakya Devi of Nepal; the emanation of Vajravarahi's Mind, Yeshe Tsogyal of Tibet; the emanation of Vajravarahi's Speech and Mangala or Tashi Kyedren of "the Himalayas" - the emanation of Vajravarahi's Activity.

In Bhutan he is associated with the famous Paro Taktsang or "Tiger's Nest" monastery built on a sheer cliff wall about 500m above the floor of Paro valley. It was built around the Taktsang Senge Samdup (stag tshang seng ge bsam grub) cave where he is said to have meditated in the 8th Century. He flew there from Tibet on the back of Yeshe Tsogyal, whom he transformed into a flying tigress for the purpose of the trip. Later he travelled to Bumthang district to subdue a powerful deity offended by a local king. Padmasambhava's body imprint can be found in the wall of a cave at nearby Kurje Lhakhang temple.

Padmasambhava also hid a number of religious treasures (termas) in lakes, caves, fields and forests of the Himalayan region to be found and interpreted by future tertöns or spiritual treasure-finders. According to Tibetan tradition, the Bardo Thodol (commonly referred to as the Tibetan Book of the Dead) was among these hidden treasures, subsequently discovered by a Tibetan terton, Karma Lingpa.

Tantric cycles related to Padmasambhava are not just practiced by the Nyingma, they even gave rise to a new offshoot of Bön which emerged in the 14th century called the New Bön. Prominent figures of the Sarma (new translation) schools such as the Karmapas and Sakya lineage heads have practiced these cycles and taught them. Some of the greatest tertons revealing teachings related to Padmasambhava have been from the Kagyu or Sakya lineages. The hidden lake temple of the Dalai Lamas behind the Potala called Lukhang is dedicated to Dzogchen teachings and has murals depicting the eight manifestations of Padmasambhava. Padmasambhava established Vajrayana Buddhism and the highest forms of Dzogchen (Mengagde) in Tibet and transformed the entire nation.

On Padmasambhava's consort practice with Princess Sakya Devi from Nepal it is said: "In a state of intense bliss, Padmasambhava and Sakyadevi realized the infinite reality of the Primordial Buddha Mind, the All-Beneficent Lord (Samantabhadra), whose absolute love is the unimpeded dynamo of existence. Experiencing the succession of the four stages of ecstasy, their mutual state of consciousness increased from height to height. And thus, meditating on Supreme Vajrasattva Heruka as the translucent image of compassionate wrathful (energized) activity, they together acquired the mahamudra of Divinity and attained complete Great Enlightenmen

Mantra of Padmasambhava

In the realm of spiritual awakening, the journey of Samadhi unfolds through the awakening and alignment of the seven chakras, or energy centers, located along the spinal column. Each chakra is associated with specific qualities, aspects of consciousness, and physiological functions, symbolizing stages of personal growth and evolution.

Root Chakra (Muladhara):
The journey of Samadhi begins with the Root Chakra, located at the base of the spine. Representing the foundation and connection to the physical world, the Root Chakra governs survival instincts, security, and grounding. Awakening the Root Chakra involves establishing a sense of stability, safety, and rootedness in one's existence.

Sacral Chakra (Swadhisthana):
Moving upward, the journey progresses to the Sacral Chakra, situated in the lower abdomen. Associated with creativity, sensuality, and emotional expression, the Sacral Chakra embodies the exploration of pleasure and intimacy. Awakening this chakra involves embracing one's passions, emotions, and creative potential.

Solar Plexus Chakra (Manipura):
Next in the journey is the Solar Plexus Chakra, located in the upper abdomen. Representing personal power, self-esteem, and willpower, the Solar Plexus Chakra empowers individuals to assert themselves and pursue their goals with confidence. Awakening this chakra involves cultivating self-discipline, inner strength, and a sense of purpose.

Heart Chakra (Anahata):
Continuing upward, the journey leads to the Heart Chakra, situated at the center of the chest. Symbolizing love, compassion, and interconnectedness, the Heart Chakra fosters emotional healing, forgiveness, and unconditional love. Awakening this chakra involves opening oneself to love, empathy, and harmonious relationships with others.

Throat Chakra (Vishuddha):
Progressing to the Throat Chakra, located at the throat region, the journey emphasizes communication, self-expression, and authenticity. The Throat Chakra facilitates clear communication, creative expression, and speaking one's truth. Awakening this chakra involves finding one's voice, expressing oneself authentically, and listening attentively to others.

Third Eye Chakra (Ajna):
Advancing further, the journey arrives at the Third Eye Chakra, situated between the eyebrows. Representing intuition, wisdom, and inner vision, the Third Eye Chakra offers insights beyond the realm of ordinary perception. Awakening this chakra involves developing intuition, discernment, and accessing higher states of consciousness.

Crown Chakra (Sahasrara):
The culmination of the journey of Samadhi occurs at the Crown Chakra, located at the top of the head. Symbolizing spiritual connection, divine consciousness, and transcendence, the Crown Chakra represents union with the divine and the realization of one's true nature. Awakening this chakra involves experiencing states of bliss, oneness, and enlightenment.

We understand that it's important to hear the sound of a product before making a purchase, and we want to make sure you feel confident in your decision. Our team is always available to help you with any questions or requests you may have, so please don't hesitate to reach out if you need any assistance.

One Cushion Fitting the Size

One Mallet Fitting the Size

One DrumStick Fitting the Size

Request for Sound Check
Normally we will send the best quality sound for our web client, but if you like to be sure about what you are purchasing you can request for the sound of the singing bowl. We will provide you with a youtube video of a few Singing bowl playing of similar sizes.

Process of Etching in singing bowl




Video Description On Etching Singing bowl

The use of handmade bronze singing bowls in healing, meditation, and chakra balancing is based on the idea that sound can have a profound impact on the body and mind. When played, the bowls produce a rich, harmonious sound that is said to stimulate the chakras and bring balance to the body's energy centers. The sounds produced by the singing bowl are believed to help calm the mind, reduce stress, and promote relaxation, making them a valuable tool in meditation and mindfulness practices.

In addition, the vibrations produced by the singing bowl are said to have therapeutic benefits, promoting physical and emotional healing by reducing tension, improving circulation, and promoting relaxation. Overall, the use of handmade bronze singing bowls can be an effective and enjoyable way to enhance spiritual and emotional well-being.


7 Metals and their Planetary Association
1. Gold (Sun)
2. Silver (Moon)
3. Copper (Venus)
4. Iron (Mars)
5. Tin (Jupiter)
6. Mercury/Quicksilver (Mercury)
7. Lead (Saturn)
all of which feature heavily in alchemical symbolism
Making of Hand Hammered Singing bowls