Old Style Amoghasiddhi Buddha

Name: Old Style Amoghasiddhi Buddha
Brand: Handmade Statue
SKU: HCS11645
Price: 100.00 USD
Availability: InStock

Also known as

Don Yod Drubpa

Bukong Chengjiu Fo

Fukujouju Butsu

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USD80 USD100 | Enjoy a price drop of USD20 (20%)

Available SKU: HMS11645

Size: Height: 21cm (8") | Width: 15cm (6") | Depth: 11cm (4") |
Weight: 1.6 Kg / 3.53 lbs
Material: Copper

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The shipping weight for 1 piece of the product is 2 kg, and shipping cost is USD47.00.

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Amoghasiddhi Buddha :

Amoghasiddhis is one of the five important Dhyani Buddhas. His name describes his characteristics perfectly. Amogha(Amoha) means the exclusion of confusion or spiritual ignorance, siddhi means Mastery in a subject. So in Amoghashiddhi is a Master to help remove confusion and spiritual ignorance.
"Mogha" can also be translated as a failure, unfruitful, or unsuccessful. Thus Amoghasiddhi is also the master of success, the one whose success cannot be obstructed. This is perhaps the most common description for Amoghasiddhi, "the Buddha of unobstructed success."

Bronze Finishing

This Amoghasiddhi Buddha product features a stunning Bronze patina finish. Our store takes pride in offering this exclusive patina, which involves a meticulous process utilizing organic materials such as butter and vegetable color. The aim is to recreate the appearance of an aged bronze statue, evoking a sense of timeless elegance.
The art of giving the bronze color to red copper is truly exceptional and is practiced by skilled craftsmen. With each piece, you not only acquire a beautifully finished Amoghasiddhi Buddha product but also pay homage to the artisans who are dedicated to preserving this rare and fading art form. The result is a unique and captivating aesthetic that adds a touch of sophistication and nostalgia to any setting. Read More . . .

Lost-Wax System

This Buddha of Amoghasiddhi Buddha is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Buddha.
Below we have tried to illustrate the process of making a loss wax system statue:

The method of metal casting in which a molten metal is poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away. Bronze statues come to life differently than marble statues. Instead of carving a block or marble, the bronze artist uses the lost-wax technique to make a series of molds, and then pours melted bronze into the final mold to create the sculpture. This method has been around since 4500 BCE.

There are few important steps in lost wax casting process :
Step 1: Sculpting ( It all starts in the studio with an idea, Then figuring out how to realize the vision in clay.)
Step 2: Mold Making.
Step 3: Wax Pouring.
Step 5: Wax Spruing.
Step 6: Shell Dipping.
Step 7: Bronze Pouring.

Interestingly enough Loss wax process is also called Investment casting because after layers have been formed and dried, the wax is melted out of the ceramic tree by using steam (120?C) in an autoclave. This is why it is called "lost wax casting". The majority of the molten wax which can then be regenerated and is reusable.

Before Making statue :At work room making the wax models.

Softening a piece of wax over a brazier.

Relaxing after softening the wax The working environment with works in progress.

Working the face of an Ekajata wax model.

Working the face of wax model.Using a modeling tool to form the face of Ekajata.

Deatail of wax model

The design for Ekajata compared to the Tibetan book on which it was based.Statues Maker Are master in buddhism .

Detail of A partially finished Candamaharoshana (Acala) wax figure made in the Tibetan style.

A finished wax image of Mahakala.

Anthor Finished Wax Model of Shakyamuni Buddha

One of the modelers working in the room shows the Pehar image on which he is working.

The artist showed how the goat , which had been completed earlier, fits under the image. ,

Tej Jyoti Shakya and his wife, Nani Maya Shakya Covering the wax model in a mixture of clay and dung

Pressing the mixture of clay and dung around the wax image.

The board with the clay and dung mixture ready for use.

Model Pieces drying after the initial (dipped) thin layer of fine clay.

Clay-covered model pieces drying in the sun.

Molds waiting to be put into the burnout furnace

The same molds, seen in the previous image, in the burnout furnace

The double row of refractory bricks used to support the heated molds during casting.

The melting furnace and a pile of coke used for melting the metals. Laying the bed of coke in the melting furnace.

The first ignition of the coke.

Checking the coke bed.

The electric blower used to force air into the melting furnace

Beginning to fill the crucibles with scrap copper.

Preparing the bed of burning coke to receive the crucibles

Sorting various metals used in the alloys.

Weighing precious metals that are used in the alloys

Weighing copper from Singapore to achieve a correct alloy.

Different sizes of crucibles and various types of metals to be cast in this melt.

Placing the crucibles in the bed of coke filled with metal are in place.

After the crucibles are in place, more coke is piled around them.

The crucibles are covered with scrap metal to hold in the heat.

The electric fan is then connected.Soon a very hot flame is produced.

The entire furnace temperature goes up to about 1800 -1900 degrees.

Setting up molds in between the refractory bricks to receive the molten metal. Handling the molds with asbestos gloves and bracing them with fragments of bricks.

Pouring the molten metal into the base of a mold

Another view of the artists pouring the molten metal.Detailed view showing the molten metal being poured into the sprues.

Preparing to lift and pour molten metal from one of the larger crucibles.

Cooling a mold containing the recently poured metal.

Beginning to break away the clay mold from the metal casting. The mold breaks away revealing the metal image inside

The first metal image from the day's work.

Examining the image for flaws

Two auras (prabhamandalas), one that cast perfectly and one (in front) that only partially filled.

Opening more molds

Researchers mark specific metal images for future identification.

Cleaning the details of the image with a metal tool.

Sawing off the sprues from Aura image. The sprue metal will be reused in future castings.

Two auras that worked perfectly. The one on the right has been cut off of the sprues, while the one on the left still has the sprues attached.

The finishing specialist begins the finishing process with a set of tools, including a small hammer. to give more detail

The entire surface of the image will be gently hammered to a final, almost polished finish.

The finisher's tools and the work in progress

Finishing work on an image of the Buddha.

Hammering the chest of an image that is being held against the work block

A Buddha image hammered and chased to the final, detailed finish.

Cleaning in a very mild acid bath. The image and prabhamandala are placed in a final acidic bath to make sure the surface is absolutely clean.

Drying the image with a blow torch.

Teachings of Amoghashiddi :

Amoghasiddhi teaches us that Spiritual understanding is the deepest and fullest grasp of the universal truth that every experience and every object arises out of certain conditions. Likewise, every object and every experience becomes part of the conditions out of which other objects and experiences in turn arise.

A dynamic, endlessly unfolding. That is Amoghasiddhi's field, his home. So the wisdom of dwelling in this place is the wisdom of actions that are perfected. Actions are performed for the good of all beings, and the actions accomplish that perfectly. This world of perfected action is one of perfected conditions: harmonious, serene, pure.

Icongraphy of Amogshiddhi :

Amoghasddhi's direction is the north. His time is midnight and so in visualizing Amoghasiddhi he is surrounded by a sky of midnight blue. His element is air, and thus he has the power of the wind, both fierce and gentle, warming and cooling, a baby's breath, a tree-breaker. His particular wisdom, as we have discovered, is the wisdom of all accomplishing action. He is described as the Buddha of the realization of the Bodhisattva path, a Buddha of actions, actions perfected and free of karmic consequences, actions that are pure, crystallized and transparent.

Amoghasiddhi's color is green. His vehicle is Garudha a half human and half bird, mythical imaginary creature. Amoghasiddhi's sits in abhaya mudra with his right hand held palm facing outward in front of the heart, this Mudras mean protection and removal of fear. That quality of fearlessness essential to living the spiritual life. His spiritual object is the double dorje that symbolizes the highest comprehension of truth, the incomparable power of a Buddha.

Mantra of Amoghsiddhi

OM AMOGHASIDDHI AH HUM

You may also want to read the related articles :

Gold Plating in Statues | Making Process Of Metal Statues | Videos of statue Making Process | Service of Filling and blessing in Statue | Altering Finishing in Statue

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