[marpa Lotsawa], Buddhist Miniature Statue, [chocolate Oxidized]

Marpa Lotsawa, Buddhist Miniature Statue, Chocolate Oxidized

Also known as

Marpa Chokyi Lodro

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USD275

Available SKU: HMS36825

Size: Height: 10cm (4") | Width: 8cm (3") | Depth: 6cm (2") |
Weight: 390 gm / 0.86 lbs
Material: Copper

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The shipping weight for 1 piece of the product is 0.50 kg, and shipping cost is USD31.00.

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Marpa Lotsawa :

Marpa Lotsawa (1012â1097) stands as a towering figure in Tibetan Buddhist history. Known as "Marpa the Translator," he is the founding father of the Kagyu traditionâone of the four major schools of Tibetan Buddhism. Unlike the stereotypical monastic figures often associated with Buddhism, Marpa was a married householder, a farmer, and a fiercely determined spiritual seeker.Â

His legacy goes far beyond translating ancient texts. He risked his life repeatedly to cross the Himalayas, ensuring that the profound Vajrayana teachings of India survived and flourished in Tibet. Today, his life continues to inspire modern practitioners, and a handmade Marpa statue serves as a powerful symbol of dedication, lineage, and the uncompromising pursuit of enlightenment.

About Chocolate Oxidized

This Marpa Lotsawa has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the Marpa Lotsawa. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.

Ceramic Molding System

The Marpa Lotsawa has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .

The Life and Journeys of Marpa Lotsawa :

Marpa was born into a wealthy family in the Lhodrak region of southern Tibet. Recognizing his fierce, untamed energy early on, his family sent him to study languages. He quickly mastered Sanskrit and local Indian dialects, setting the stage for his lifeâs great mission.

Driven by an insatiable thirst for authentic Dharma, Marpa undertook three perilous journeys to India and four to Nepal. He carried massive amounts of gold to offer to his teachers, risking bandits, extreme weather, and disease. In India, he spent over sixteen years studying under the great Mahasiddha Naropa, as well as other revered masters like Maitripa. Through intense hardship, he mastered the most profound tantric practices, including the Six Yogas of Naropa, and returned to Tibet to translate and transmit these teachings.

The Relationship Between Marpa and Milarepa :

You cannot tell the story of Marpa without mentioning his most famous disciple: Milarepa, Tibetâs greatest yogi and poet. Their relationship is legendary and defines the Kagyu lineage's emphasis on absolute devotion between guru and student.

To purify Milarepaâs extremely heavy negative karmaâaccumulated from his past use of black magicâMarpa subjected him to grueling physical and mental trials. The most famous ordeal involved forcing Milarepa to build, tear down, and rebuild stone towers multiple times with his bare hands. While Marpa appeared outwardly wrathful and demanding, his actions were rooted in profound compassion. Once Milarepa was purified, Marpa lovingly imparted the full transmission of the lineage, paving the way for Milarepa to achieve enlightenment in a single lifetime.

Marpa's Iconography (How He is Depicted in Art)

In Tibetan Buddhist art, Marpa is easily distinguishable from other masters. Authentic Marpa statues and Thangkas capture his unique status as a lay practitioner rather than a monk. Here is what to look for:

Physical Appearance: Marpa is typically depicted as a robust, solid man, often frowning slightly or with a piercing, semi-wrathful gaze that reflects his uncompromising teaching style.
Hair and Attire: Because he was a layman, he is never shown with a shaved head. He has long, matted hair pushed back or tied up. He wears the traditional long-sleeved garments of a Tibetan householder or the white cotton robes of a yogi, rather than the red monastic robes.
Posture and Hand Gestures (Mudras): He is usually seated in a relaxed, royal posture (Lalitasana) on a cushion or animal skin. His hands often rest on his knees, or he may hold a kapala (skull cup) representing the transformation of poisons into wisdom, and a vajra (thunderbolt) symbolizing indestructible reality.

Why Bring a Marpa Statue into Your Home? :

Placing a handmade Marpa statue in your home or meditation space is a powerful way to anchor your practice in the authentic Kagyu lineage. When you observe his robust, grounded posture, you are reminded that spiritual awakening does not require escaping the world; it can be achieved in the midst of daily life, family, and hard work.

For those who appreciate authentic craftsmanship, a traditionally cast copper statue carries immense energetic value. A master artisanâs hands shaping the raw beeswax for a lost-wax casting, followed by the meticulous carving of the robes and facial features, infuses the statue with devotion. An authentic, hand-carved Marpa statue from Nepal serves as a striking piece of spiritual art and a constant reminder to approach life's challenges with unwavering determination.

To view our exclusive collection of masterfully crafted lineage figures, explore the handmadestatue.com Kagyu lineage collection.

What People Want to Know About Marpa Lotsawa :

Who was Marpa Lotsawa?

Marpa Lotsawa (1012â1097) was a great Tibetan translator and the founder of the Kagyu lineage of Tibetan Buddhism. He traveled to India three times to study under Mahasiddha Naropa and brought profound Vajrayana teachings back to Tibet.

What is the relationship between Marpa and Milarepa?

Marpa was the principal teacher of Milarepa. To purify Milarepa's dark past, Marpa acted as a strict and demanding guru, putting Milarepa through severe hardshipsâlike building stone towersâbefore finally granting him the highest spiritual teachings.

Why is Marpa depicted with long hair?

Unlike many Buddhist masters, Marpa was a layman, a householder, and a farmer, not a monk. His long hair and everyday Tibetan clothing in statues and Thangkas symbolize his status as a powerful lay practitioner and yogi.

What does Marpa hold in his hands in Buddhist statues?

Marpa is frequently shown resting his hands on his knees in a relaxed posture. When holding implements, he typically grasps a skull cup (kapala) in his left hand and a vajra or a book in his right hand, representing his mastery of tantra and his role as a translator.

Why is Marpa important to the Kagyu Lineage?

Marpa is the vital link between the Indian Mahasiddhas and the Tibetan practitioners. The primary Kagyu transmission flows directly from Tilopa, to Naropa, to Marpa, who then passed the unbroken lineage to Milarepa.

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Service of Filling and blessing in Statue | Altering Finishing in Statue

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