Crown Chakra Handmade Bronze Singing Bowl With Amitabha Buddha Etching Carving, [select Accessories]

Crown Chakra Handmade Bronze Singing Bowl with Amitabha Buddha Etching Carving, Select Accessories

Name: Crown Chakra Handmade Bronze Singing Bowl With Amitabha Buddha Etching Carving
Brand: Handmade Statue
SKU: HCS15354
Price: 200.00 USD
Availability: InStock

Also known as

Singing Bowl

Ching Lu

Kyogaku

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USD160 USD200 | Enjoy a price drop of USD40 (20%)

Available SKU: HMS15354

Size: Diameter: 27cm (11") | Height: 13cm (5") |
Weight: 1.9 Kg / 4.19 lbs
Material: 7 Metal Bronze

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The shipping weight for 1 piece of the product is 3 kg, and shipping cost is USD58.00.

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Singing Bowl :

Singing bowls , also known as Himalayan bowls , are used in yoga, music therapy, sound healing, and religious ceremonies. In the Buddhist tradition, they are played to signal the beginning and the end of silent meditation cycles. Tibetan bowls emit very pure tones, close to sine waves. Their sound is a synonym of purity for our ears. Like a bell, the tone is produced by striking the side of the bowl with a wooden mallet. By running the mallet around the bowl - only with slight pressure - a pure tone will eventually rise. When this happens, the bowl is said to sing - hence its name.

Select Accessories

: Accessories Due to complexities in shipping rate calculation caused by additional accessories, please note that the listed price includes only the singing bowl itself. Accessories like Drumstick, mallet, and cushion are not included and must be selected separately based on your requirements. The prices of additional accessories are inclusive of the shipping cost.

Amitabha Buddha

: Who Is Amitabha Buddha?

Among the vast pantheon of enlightened beings in Mahayana Buddhism, few figures evoke as much profound devotion, hope, and artistic beauty as Amitabha Buddha. Known as the Buddha of Infinite Light and Infinite Life, Amitabha stands as a beacon of universal salvation, promising an accessible path to enlightenment for all sentient beings, regardless of their karmic status.

For beginners, Amitabha represents an entry point into a compassionate spiritual ecosystem. For seasoned practitioners, researchers, and collectors of Buddhist art, he embodies the absolute transformation of human desire into all-discerning wisdom. This article explores the rich scriptural origins, profound symbolism, intricate iconography, and enduring cultural practices surrounding Amitabha Buddha.

Why Amitabha Buddha is Revered in Mahayana Buddhism

In the Mahayana tradition, the path to liberation is built on the twin pillars of wisdom (prajna) and compassion (karuna). Amitabha Buddha is the ultimate manifestation of these principles. Unlike historical Buddhas who taught within the constraints of our physical world, Amitabha rules over a pristine celestial realm. His cross-cultural veneration bridges distinct geographies, from the high-altitude monasteries of Tibet and Nepal to the sprawling temples of China, Japan, and Vietnam.

His Importance in Pure Land Buddhism

Amitabha Buddha is the central figure of Pure Land Buddhism, one of the most widely practiced traditions in East Asia. The core tenet of this school is remarkably egalitarian: liberation from the cycle of rebirth (samsara) does not require decades of rigorous asceticism or complex intellectual mastery. Instead, through single-minded faith, devotion, and the recitation of Amitabhaâs sacred name, anyone can secure rebirth in his paradise, Sukhavati.

What Does Amitabha Mean?

The name "Amitabha" carries layers of metaphysical and symbolic significance rooted in ancient Sanskrit. Breaking down the linguistic components reveals why this cosmic figure holds such power over the human imagination.

Sanskrit Meaning

The word AmitÄbha is a Sanskrit compound:

Amita: Boundless, unmeasured, or infinite.
Äbha: Light, splendor, or radiance.

Therefore, Amitabha translates directly to "Infinite Light" or "Boundless Splendor."

A closely related aspect of this deity is AmitÄyus, a compound of Amita and Äyus (Life). Thus, he is simultaneously the Buddha of "Infinite Life." While East Asian traditions generally view Amitabha and Amitayus as the same entity under the name Amida, Himalayan art and Vajrayana Buddhism distinguish them visually based on their active roles in ritual practice.

Symbolic Significance of Light and Life

In Buddhist philosophy, "Light" is not merely physical illumination; it is a universal metaphor for wisdom that dispels the darkness of ignorance (avidya). Amitabhaâs boundless light shines universally, penetrating the deepest psychological shadows of sentient beings.

"Life," on the other hand, symbolizes his infinite compassion and skillful means (upaya). His vow to save living beings is timeless, extending across past, present, and future kalpas (cosmic eons). Together, Infinite Light and Infinite Life represent an unshakeable spiritual refuge.

History and Origin of Amitabha Buddha

The spiritual lineage of Amitabha Buddha is preserved across key Sanskrit texts that emerged around the 1st century BCE to the 1st century CE. These texts form the foundational bedrock of Pure Land literature.

Scriptural Origins: The Three Pure Land Sutras

The narrative and theological framework of Amitabha Buddha rests primarily on three sacred texts:

The Larger SukhÄvatÄ«vyÅ«ha SÅ«tra (Infinite Life Sutra): This foundational text delivers the detailed cosmic backstory of Amitabha. It describes his time as a monk, his profound vows, and the creation of his immaculate realm, Sukhavati.
The Smaller SukhÄvatÄ«vyÅ«ha SÅ«tra (Amitabha Sutra): A concise, highly influential text that describes the sensory and spiritual marvels of the Western Pure Land. It emphasizes the practice of holding Amitabhaâs name in mind with undistracted devotion.
The AmitÄyurdhyÄna SÅ«tra (Contemplation Sutra): This text outlines sixteen complex visualization practices designed to help meditators perceive Amitabha, his attendant bodhisattvas, and the layers of the Pure Land.

The Story of Dharmakara Bodhisattva

According to the Larger Sukhavativyuha Sutra, eons ago, a king encountered the teachings of the Buddha Lokesvararaja. Moved by profound empathy for the suffering of worldly beings, the king abdicated his throne, took monastic vows, and adopted the name Dharmakara ("Dharma Treasury").

Dharmakara spent lifetimes practicing the paramitas (perfections). Under the guidance of Lokesvararaja, he surveyed countless buddha-fields across the cosmos, distilling the finest qualities of each to design a perfect, uncorrupted paradise where beings could achieve enlightenment without suffering any spiritual setbacks.

The 48 Vows

Before attaining full buddhahood, Dharmakara made 48 monumental vows before his teacher. He declared that he would not accept ultimate enlightenment unless each vow was perfectly fulfilled.

The most revolutionary of these is the 18th Vow, often called the Primal Vow:

"If, when I attain Buddhahood, sentient beings in the lands of the ten directions who sincerely trust themselves to me, desire to be born in my land, and think of me even ten times, should not be born there, may I not attain perfect Enlightenment."

Through the fulfillment of these vows, Dharmakara became Amitabha Buddha, establishing the Western Pure Land of Sukhavati, which has been open to all seekers for the past ten eons.

Amitabha Buddha Iconography

For art collectors and practitioners alike, understanding Amitabha iconography is essential for distinguishing him from other cosmic or historical Buddhas. Buddhist art utilizes precise physical postures and symbolic implements to convey specific internal states.

Facial Expression and Proportions

Amitabha is depicted with an expression of absolute serenity, equilibrium, and deep meditative absorption. His eyes are half-closed, gazing inward yet subtly downturned toward sentient beings in a look of unconditional compassion. He features standard lakshanas (physical marks of a Buddha), including elongated earlobes (symbolizing his renunciation of royal wealth) and the ushnisha (the cranial bump representing supreme spiritual wisdom).

Body Posture and Mudra

Amitabha is almost exclusively depicted seated in the full Padmasana (lotus posture or meditation posture), with his legs tightly crossed and the soles of both feet facing upward.

His most defining feature is the Dhyana Mudra (the gesture of meditation):

Both hands rest flat in his lap, palms facing upward.
The right hand rests gently on top of the left hand.
In many traditions, the tips of the thumbs lightly touch, forming a mystic triangle that represents the burning away of worldly impurities.

Robes, Halo, and Lotus Throne

He wears the simple, unadorned robes of a traditional Buddhist monk, indicating his complete transcendence of ego and material attachment. Behind his head and body spin brilliant halos and auras of light, typically painted in radiant gold, blue, or green to symbolize his pervasive spiritual energy.

He sits atop a multi-tiered lotus throne. The lotus flower signifies pristine purity: just as a lotus emerges from muddy waters completely unstained, a Buddha manifests within the chaos of samsara completely untouched by defilements.

The Begging Bowl and Lotus Symbolism

In his resting hands, Amitabha typically holds a begging bowl (patra). Unlike the simple iron alms bowl of historical monks, Amitabhaâs bowl is often depicted in sacred art as filled with the nectar of immortality (amrita), or it holds a single, blossoming lotus flower. The lotus flower represents the unfolding of the innate Buddha-nature within every human heart.

Regional Artistic Styles

The aesthetic depiction of Amitabha Buddha shifts gracefully across different Asian cultures:

Tibet and Nepal: In Himalayan art, Amitabha is rendered in a striking, deep red color. He is frequently depicted in Thangka paintings or cast as a Nepalese Buddhist statue using high-quality copper alloy with heavy gold gilding.
China and Japan: In East Asian representations (known as Amida Fo or Amida Nyorai), he is often portrayed with golden skin rather than red. In addition to the seated meditation posture, he is frequently shown standing, stepping forward to welcome dying souls into the Pure Land (Raigo paintings).

Symbolism of Amitabha Buddha

Every element of Amitabhaâs visual presentation functions as a psychological map, pointing toward profound truths within Buddhist philosophy.

The Sacred Red Color

In Vajrayana tantric systems, Amitabha is associated with the color red. Red represents the element of fire, matching the warmth of intense emotion and desire. Rather than suppressing desire, Amitabhaâs presence purifies it, transforming raw attachment and craving into all-discerning wisdom. Red also symbolizes magnetizing power, love, and royal dignity.

The Western Direction

Amitabha governs the Western quadrant of the cosmos. The West is intrinsically tied to the setting sun. Just as the sun sets in a brilliant display of red and gold light at the end of the day, Amitabha offers comfort, transition, and spiritual rebirth at the twilight of human life.

The Transformation of Desire

Human desire (raga) is one of the "Three Poisons" in Buddhism, alongside anger and delusion. Desire causes us to grasp onto fleeting things, creating suffering. Amitabha symbolizes the sublimation of this poison. By redirecting our desire away from mundane objects and toward the ultimate beauty of enlightenment, craving is converted into Pratyaveksana Jnanaâthe Wisdom of Specific Discrimination, which perceives the unique qualities of all things without attachment.

Amitabha Buddha Mantra

Chanting the sacred sound vibrations of Amitabha Buddha is a pillar of daily practice across multiple Buddhist traditions. These mantras align the practitioner's mind with the frequency of boundless light.

The Sanskrit Mantra

The foundational Sanskrit mantra used to invoke Amitabhaâs presence is:

ext{Om Ami Dewa Hrih}

Om: The universal primordial sound, awakening the body, speech, and mind.
Ami: Shortened form of Amitabha, invoking infinite light.
Dewa: Deity or enlightened being.
Hrih: The sacred seed syllable of Amitabha and Avalokiteshvara, representing the spark of compassion within the heart.

The East Asian Nembutsu

In Japanese Pure Land schools (such as Jodo Shu and Jodo Shinshu), the primary practice is the recitation of the Nembutsu:

ext{Namu Amida Butsu}

This translates directly to: "I take refuge in Amitabha Buddha." Practitioners believe that reciting this phrase with deep sincerity connects their ordinary mind with Amitabha's cosmic vow, ensuring their safe passage to Sukhavati at death.

Proper Pronunciation and Benefits

Om Ami Dewa Hrih: Pronounced as Ohm Ah-mee Day-wah Hree.
Namu Amida Butsu: Pronounced as Nah-moo Ah-mee-dah Boo-tsu.

Spiritual benefits of this daily chanting practice include the purification of negative karma, the quietening of rampant desires, protection from negative external energies, and the culturing of an unshakeable inner peace.

Amitabha Buddha in Himalayan Art

For art collectors and curators, Nepalese Buddhist statues and Tibetan thangka paintings depicting Amitabha are highly prized for their deep spiritual resonance and extraordinary levels of precision.

How to Identify Amitabha Buddha

If you are browsing an art gallery or visiting a temple, look for these specific, distinguishing characteristics to immediately identify an Amitabha Buddha statue or painting:

The Hand Position: His hands rest completely flat in his lap, one on top of the other, palms facing up (Dhyana mudra).
The Sacred Vessel: He almost always holds a circular alms bowl resting neatly in the nest of his crossed hands.
The Crimson Hue: In thangkas and mandalas, his skin is painted an unmistakable rich, vibrant red.
The Assembly: He is frequently flanked by his two primary bodhisattva attendants: Avalokiteshvara (Chenrezig) on his right, representing compassion, and Vajrapani or Mahasthamaprapta on his left, representing spiritual power.

How to Place an Amitabha Buddha Statue at Home

Placing a sacred image of Amitabha in your living space can completely shift the energetic profile of your home, cultivating an atmosphere of deep tranquility and mindful awareness.
Directional Placement: Ideally, place the Amitabha statue facing East. This mirrors his position in the cosmic mandala, allowing him to look out from the West toward your space.
Altar Elevation: Never place a Buddha statue directly on the floor. Position it respectfully on an elevated altar, shelf, or tabletop that sits well above waist level.
The Meditation Room: If you have a dedicated room for yoga or meditation, Amitabha serves as an ideal focal point. Place him where you can clearly view his face while seated in meditation.
Areas to Avoid: To maintain proper energetic boundaries, avoid placing sacred icons in bathrooms, kitchens, or directly at the foot of a bed. Keep the surrounding space clean, uncluttered, and free from daily distraction.

10 Interesting Facts About Amitabha Buddha

Eons of Practice: Amitabha spent countless lifetimes practicing as the monk Dharmakara before achieving full buddhahood.

The King of Realms: His Western Pure Land, Sukhavati, is universally considered the most beautiful and easily accessible of all celestial buddha-fields.
The Source of Avalokiteshvara: According to Mahayana texts, the beloved Bodhisattva of Compassion, Avalokiteshvara, was manifested directly from Amitabhaâs right eye (or heart).
Egalitarian Salvation: Amitabhaâs path does not discriminate; even those with heavy negative karma can achieve rebirth in his realm through sincere practice.
The Giant of Kamakura: The world-famous, monumental outdoor bronze Buddha statue in Kamakura, Japan, is a representation of Amitabha Buddha (Amida Nyorai).
Lotus Rebirth: Beings reborn in Sukhavati do not undergo painful physical births; instead, they emerge gently inside closed lotus blossoms that open as their karma purifies.
The Ultimate Transition Guide: In East Asian art, Amitabha is often shown physically descending to earth to guide dying practitioners home.
An Array of Vows: While most Buddhas make a few core vows during their bodhisattva path, Amitabha forged 48 highly specific covenants to protect humanity.
The Red Peacock: His traditional vahana (animal vehicle or throne mount) is the peacock, symbolizing his ability to consume the poisons of desire and transmute them into absolute beauty.
The Shadow Figure of Amitayus: When depicted as Amitayus (Infinite Life), he exchanges his simple monastic robes for crown jewels and holds a vase containing the precious nectar of immortality.

Mantra of Amitabha Buddha

Oá¹ Amideva HrÄ«á¸¥

Sound Check - All

: Request a sound check We personally check Singing Bowl to ensure the quality of the sound and its resonance. However, if you still require to listen to the sound before purchase. To maintain the quality of service we have introduced a nominal fee of $2 for this service. This non-refundable deposit will be deducted from your invoice upon purchase. Please note due to the limitation of the microphone and the speaker quality, the effectiveness of experiencing the sound will not be the same.
If you have any further questions or require assistance, please do not hesitate to contact us. WhatsApp: +9779841614206 Read More . . .

Singing bowl Accessories

The Jambati Singing Bowl you are purchasing includes a cushion, a wooden playing mallet, and a felt-hitting mallet for playing the bowl. If you require additional accessories, you can browse the options above and purchase them separately. Should you have any further questions or need assistance, please don't hesitate to let us know. Read More . . .

What is Etching Carving?

Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In several modern variants such as microfabrication etching and photochemical milling, it is a crucial technique in much modern technology, including circuit boards. Read More . . .

Making Process of Hand-Beaten Singing Bowl

Making a handmade bronze singing bowl is a time-honored tradition that involves several stages. The process starts with the creation of a metal alloy, which is typically made of copper and tin. The metal is then melted down and poured into a mold, where it is shaped into a bowl. Once the bowl has been formed, it is subjected to a series of hammering and shaping processes to refine its shape and thickness. This is where the expertise of the craftsman comes into play, as they use their skills to produce a bowl with a balanced tone and resonant sound.
The finished bowl is then polished to a high shine and may be adorned with intricate designs and symbols that are significant in Buddhist or Hindu tradition. Read More . . .

How To Play Tibetan Singing Bowls :

1. Hold the singing bowl on the palm of the left hand. For smaller bowls, seven inches and under, hold on your fingertips.
2. Grasp the mallet about mid-length, with all the fingertips pointing downwards and touching the wood. (If you are using one of our padded mallets, the red wool should be on top.) Palm downward.
3. Gently tap the mallet against the side of the bowl to "warm-up" the bell.
4. With an even pressure, rub the mallet clockwise around the outside edge of the rim of the bowl. Use a full arm movement, just like stirring a big kettle of soup, and keep the mallet straight up and down! Again, it's not a wrist movement, but a full-arm movement.

Remember to apply pressure-- the friction of the mallet against the
outer rim produces vibrations which result in sound.

Experiment with your speed. Usually people go too fast! Let the sound build up slowly as the singing bowl picks up the vibration

How To Play Tibetan Singing Bowls -Breaking in Your Mallet :

The mallet that comes with your Tibetan singing bowl is handmade of Himalayan hardwood. When you play the bowl, using the mallet-around-the-rim technique, the friction of the mallet produces vibrations which result in sound. In the beginning the mallet is relatively smooth, but as you continue to use it it will develop "micro-grooves", shallow grooves which help to grab more of the playing edge of the bowl. Allow about five minutes for initial break-in of a new mallet. As you use the mallet more the micro-grooves become impressed in the mallet and you will get better sound and easier playig from your bowl.

How To Play Tibetan Singing Bowls -The Wah-Wah :

1. Most all Tibetan singing bowls have natural wah-wahs which you can amplify and bend by using the wah-wah technique.
2. Get the bowl singing by using the mallet-around-the-rim technique described above. Pull the mallet away from the bowl and let the bowl continue to sing.
3. While still holding the bowl in your hand, raise the bowl up to your mouth so that the outside rim is just above the opening of your mouth and about an inch away.

Open and close your mouth while thinking of the sound wah-wah. You are not actually making any sound with your mouth, but simply changing the shape of the oral cavity so as to allow the sound of the singing bowl to bounce around inside of your mouth and then be reflected back. By changing the size of the oral cavity you are modulating the sound!

Experiment with the relative position of your mouth to the outside bowl rim. Also, if you turn the bowl, while experimenting with the wah-wah effect, you will find "hot spots" where the bowl is naturally louder.

How To Play Tibetan Singing Bowls -Water Bowl Sounds :

A special sound effect can be produced by adding a small amount of water to the bottom of the singing bowl. The sounds produced using this technique sound like dolphins singing!

1. The amount of water to use varies with the individual bowl. Start by pouring about 3/4" of water into the bowl. Be careful NOT to get the outside rim of the bowl wet.
2. Now, play the bowl using the mallet-around- the-rim technique. Bring up the sound by using a steady even pressure. Pull the mallet away from the bowl rim and let the bowl continue to sing.
3. Still holding the bowl in your hand, tilt the bowl so that the water inside gently laps up toward the inside rim. Continue to gently swirl and tilt the bowl and the water.

Experiment with the amount of water used. Usually the best effect is produced with a minimum amount of water. Keep a towel handy in case of spills.

Isolating the Fundamental

This technique requires awareness, breath and concentration. If you have a fairly thin-walled Buddha bowl, you can isolate the fundamental (bass tone) by using a leather-covered mallet. Follow the instructions regarding your rimming technique for the female overtone, only use the leather end of your mallet for rimming and make sure your mallet is pointed straight up. Experiment with using a lighter pressure.

How to Play Singing Bowls

You may also want to read the related articles :

Sound Healing with Tibetan Singing Bowls | Video on how singing bowls are made

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